I read an article by author Ros Barber on the virtues of traditional publishing versus self-publishing. Barber said she would rather be poor than publish one of her novels independently. She went on to make a lot of absurd generalizations against indie-published writers. (Such as: the only thing self-published writers talk/tweet/post about are their books.) Her judgment of indie publishing boils down to snobbery.
Self-publishing is a dirty word to many people. Perhaps that’s because indie publishing is an offshoot of vanity press. Vanity press is where authors pay printers to publish their books. It’s been around for a long time and looked down upon by authors who have books published via publishing houses. But why?
What I’ve never understood is you can busk on the street corner and make money. You can put your song up on YouTube and get a million likes and a recording deal. You can display your artwork in cafes and have people buy it right off the wall. You can post your photos online and have them go viral all over the internet, with people clamouring for prints. But once you publish your own story, it’s considered garbage.
If someone has taken the time to write a book, why shouldn’t they be able to publish it themselves? It doesn’t mean you have to read it. Not to mention, there’s a lot of crap out there that’s been published by traditional means. The editors making the choices to publish or not publish are no more discerning than you or me. They’re just being paid for their opinion.
Being published by a publishing house just means someone liked your book enough that he or she decided it’s good fare for other readers. Sure, it’s validating but being self-published does not mean you’re not a real writer. It means you’re not looking for validation.
I’ve done both: self-publishing and going the conventional route of working with a publisher. In both cases, I still had to do a lot of my own marketing. Just because your story was picked up by traditional publisher doesn’t mean you sit back and watch the profits roll in. You have to promote your book, just as you would if it had been self-published. The difference is, people respond differently to me when they find out I’ve had a story printed by someone other than me. To them, my writing becomes a little more important. (This is their perception and not one I necessarily agree with.)
Barber wrote that only amateurs self-publish, that if you want your prose full of plot holes and mistakes, do it yourself. However, I’ve read a few novels that have been professionally published and found a mistake or two. In fact, one book changed the name of the main character halfway through. (No, this wasn’t a plot device.) I can’t remember the name of the author nor the title but it was a big-name writer.
Some people don’t have the time or the patience to send out query letter after query letter only to receive rejection letter after rejection letter. There’s a long list of well-known authors who were repeatedly told “No,” before they were finally published. (Check out the list here. It includes my favourite novel, Gone with the Wind by Margaret Mitchell, which was rejected 38 times. Beatrix Potter published her bunny tales herself.) Imagine all the great books that haven’t been published. Then consider all the great books that are being published: indie or not.